melittabenu

Persephone, by Patricia Ariel

Here, where the world is quiet;
Here, where all trouble seems
Dead winds’ and spent waves’ riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.

I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.

Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.

No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.

Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.

Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.

Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love’s who fears to greet her
To men that mix and meet her
From many times and lands.

She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.

There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.

We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man’s lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.

From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.

Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.

— Swinburne, The Garden of Proserpine

Richard K. and Georg Luck, deep in conversation. I was familiar with Richard from my OTO days.

Obituary

I had the privilege to hug this man, to speak to this man in person, to exchange some of the warmest and kindest emails I’d ever exchanged with anyone. He was and still is in death a wonderful, good man, and one of the biggest regrets of my life will me not keeping up with him like I wanted to, not telling him he meant a lot to me and letting our correspondence slip because I was too busy with drama which, in hindsight, wasn’t worth the nosebleed.

I include the Swinburne poems since he commented on a portion of the first one…how it was poignant for him. The rest is from his obituary. See below.

Georg Luck from his Johns Hopkins webpage

I’m honored to have met you, Georg. I hope you’re okay where you are- you were one of the kindest and gentlest people and I have never or will never forget it.

“Georg was a modest man who had great gusto for the things that interested him,” said Richard A. Macksey, a noted Baltimore bibliophile and professor of humanities at Hopkins. “He was the kind of person who could interest the general public in what might appear to many to be very dry work. He saw the relationship between theology, witchcraft and magic.”

“He was a pioneer in the study of magic and witchcraft in the theology of the ancient Greeks and Romans,” said Matthew B. Roller, a professor and former chairman of the classics department at Hopkins. “It was the first serious study and he collected all of the material.”

The son of a government worker and a homemaker, Georg Hans Bhawani Luck — pronounced “Luke” — was born and raised in Bern, Switzerland, where he graduated in 1944 from the Kirchenfeld Gymnasium.

Dr. Luck served in the Swiss army, first as a volunteer during World War II and later in the regular armed forces, where he attained the rank of lieutenant in the infantry.

Dr. Luck graduated from the University of Bern and also studied at the Sorbonne in Paris. He earned a master’s degree in classics in 1951 from Harvard University, and his doctorate in classics in 1953 from the University of Bern.

He began his academic career in 1952 as a classics instructor at Yale University and joined the faculty of Brown University in 1953; he taught there for two years.

He taught at Harvard from 1955 to 1958, when he was awarded a Guggenheim Fellowship. He was a lecturer in Greek and Latin from 1958 to 1962 at the University of Mainz.

Dr. Luck taught at the University of Bonn, where he attained a full professorship, for eight years, until he came to Baltimore in 1970 and joined the Hopkins faculty.

In addition to his regular classwork, Dr. Luck taught various courses in the Johns Hopkins School for Continuing Education.

For 12 years, he served as editor-in-chief of the American Journal of Philology.

His book “Arcana Mundi: Magic and the Occult in the Greek and Roman Worlds” was published in 1986; he added a second volume in 2006.

“I think ‘Arcana’ is his most famous work,” said Dr. Roller. “He was in his 80s when he issued the second volume and it showed that he was still thinking about the subject.”

Persephone by dahlig

I have lived long enough, having seen one thing, that love hath an end;
Goddess and maiden and queen, be near me now and befriend.
Thou art more than the day or the morrow, the seasons that laugh or that weep;
For these give joy and sorrow; but thou, Proserpina, sleep.
Sweet is the treading of wine, and sweet the feet of the dove;
But a goodlier gift is thine than foam of the grapes or love.
Yea, is not even Apollo, with hair and harpstring of gold,
A bitter God to follow, a beautiful God to behold?
I am sick of singing: the bays burn deep and chafe: I am fain
To rest a little from praise and grievous pleasure and pain.
For the Gods we know not of, who give us our daily breath,
We know they are cruel as love or life, and lovely as death.
O Gods dethroned and deceased, cast forth, wiped out in a day
From your wrath is the world released, redeemed from your chains, men say.
New Gods are crowned in the city; their flowers have broken your rods;
They are merciful, clothed with pity, the young compassionate Gods.
But for me their new device is barren, the days are bare;
Things long past over suffice, and men forgotten that were.
Time and the Gods are at strife; ye dwell in the midst thereof,
Draining a little life from the barren breasts of love.
I say to you, cease, take rest; yea, I say to you all, be at peace,
Till the bitter milk of her breast and the barren bosom shall cease.
Wilt thou yet take all, Galilean ? but these thou shalt not take,
The laurel, the palms and the paean, the breasts of the nymphs in the brake;
Breasts more soft than a dove’s, that tremble with tenderer breath;
And all the wings of the Loves, and all the joy before death;
All the feet of the hours that sound as a single lyre,
Dropped and deep in the flowers, with strings that flicker like fire.
More than these wilt thou give, things fairer than all these things ?
Nay, for a little we live, and life hath mutable wings.
A little while and we die; shall life not thrive as it may?
For no man under the sky lives twice, outliving his day.
And grief is a grievous thing, and a man hath enough of his tears:
Why should he labour, and bring fresh grief to blacken his years ?
Thou hast conquered, O pale Galilean; the world has grown grey from thy breath;
We have drunken of things Lethean, and fed on the fullness of death.
Laurel is green for a season, and love is sweet for a day;
But love grows bitter with treason, and laurel outlives not May.
Sleep, shall we sleep after all ? for the world is not sweet in the end;
For the old faiths loosen and fall, the new years ruin and rend.
Fate is a sea without shore, and the soul is a rock that abides;
But her ears are vexed with the roar and her face with the foam of the tides.
O lips that the live blood faints in, the leavings of racks and rods !
O ghastly glories of saints, dead limbs of gibbeted Gods !
Though all men abase them before you in spirit, and all knees bend,
I kneel not neither adore you, but standing, look to the end.
All delicate days and pleasant, all spirits and sorrows are cast
Far out with the foam of the present that sweeps to the surf of the past:
Where beyond the extreme sea-wall, and between the remote sea-gates,
Waste water washes, and tall ships founder, and deep death waits:
Where, mighty with deepening sides, clad about with the seas as with wings,
And impelled of invisible tides, and fulfilled of unspeakable things,
White-eyed and poisonous-finned, shark-toothed and serpentine-curled,
Rolls, under the whitening wind of the future, the wave of the world.
The depths stand naked in sunder behind it, the storms flee away;
In the hollow before it the thunder is taken and snared as a prey;
In its sides is the north-wind bound; and its salt is of all men’s tears;
With light of ruin, and sound of changes, and pulse of years:
With travail of day after day, and with trouble of hour upon hour;
And bitter as blood is the spray; and the crests are as fangs that devour:
And its vapour and storm of its steam as the sighing of spirits to be;
And its noise as the noise in a dream; and its depth as the roots of the sea:
And the height of its heads as the height of the utmost stars of the air:
And the ends of the earth at the might thereof tremble, and time is made bare.
Will ye bridle the deep sea with reins, will ye chasten the high sea with rods ?
Will ye take her to chain her with chains, who is older than all ye Gods ?
All ye as a wind shall go by, as a fire shall ye pass and be past;
Ye are Gods, and behold, ye shall die, and the waves be upon you at last.
In the darkness of time, in the deeps of the years, in the changes of things,
Ye shall sleep as a slain man sleeps, and the world shall forget you for kings.
Though the feet of thine high priests tread where thy lords and our forefathers trod,
Though these that were Gods are dead, and thou being dead art a God,
Though before thee the throned Cytherean be fallen, and hidden her head,
Yet thy kingdom shall pass, Galilean, thy dead shall go down to thee dead.
Of the maiden thy mother men sing as a goddess with grace clad around;
Thou art throned where another was king; where another was queen she is crowned.
Yea, once we had sight of another: but now she is queen, say these.
Not as thine, not as thine was our mother, a blossom of flowering seas,
Clothed round with the world’s desire as with raiment, and fair as the foam,
And fleeter than kindled fire, and a goddess, and mother of Rome.
For thine came pale and a maiden, and sister to sorrow; but ours,
Her deep hair heavily laden with odour and colour of flowers,
White rose of the rose-white water, a silver splendour, a flame,
Bent down unto us that besought her, and earth grew sweet with her name.
For thine came weeping, a slave among slaves, and rejected; but she
Came flushed from the full-flushed wave, and imperial, her foot on the sea.
And the wonderful waters knew her, the winds and the viewless ways,
And the roses grew rosier, and bluer the sea-blue stream of the bays.
Ye are fallen, our lords, by what token? we wist that ye should not fall.
Ye were all so fair that are broken; and one more fair than ye all.
But I turn to her still, having seen she shall surely abide in the end;
Goddess and maiden and queen, be near me now and befriend.
O daughter of earth, of my mother, her crown and blossom of birth,
I am also, I also, thy brother; I go as I came unto earth.
In the night where thine eyes are as moons are in heaven, the night where thou art,
Where the silence is more than all tunes, where sleep overflows from the heart,
Where the poppies are sweet as the rose in our world, and the red rose is white,
And the wind falls faint as it blows with the fume of the flowers of the night,
And the murmur of spirits that sleep in the shadow of Gods from afar
Grows dim in thine ears and deep as the deep dim soul of a star,
In the sweet low light of thy face, under heavens untrod by the sun,
Let my soul with their souls find place, and forget what is done and undone.
Thou art more than the Gods who number the days of our temporal breath;
For these give labour and slumber; but thou, Proserpina, death.
Therefore now at thy feet I abide for a season in silence. I know
I shall die as my fathers died, and sleep as they sleep; even so.
For the glass of the years is brittle wherein we gaze for a span;
A little soul for a little bears up this corpse which is man.l
So long I endure, no longer; and laugh not again, neither weep.
For there is no God found stronger than death; and death is a sleep.

—Swinburne, Hymn to Proserpine